White Men is the satire you’d expect from its name. Five men, played by women, ignore their survival instincts in favour of preserving their money, status and order as the sea rises around them. It is absurd, while at the same time being completely realistic and recognisable to just about anyone who has encountered a white man – the truth of it being that it is not the show that is absurd, but the patriarchy. And in 2021, after men like Donald Trump and Boris Johnson have opted for “just carrying on” in the face of a pandemic and a climate emergency, it takes on a new kind of realism.
Kate NorquayShitspeare is a rapid-fire devised piece, cutting together words from various Shakespeare plays to reframe them from a feminist perspective. It examines gender power imbalances in modern day Aotearoa and calls for change.
Kate NorquayCupid’s Guide to Modern Romance is an improvised romantic comedy with the aim of helping us figure out this whole love thing. It’s part cute and wholesome queer romance, part self-help and 100% a feel good time.
Jenny NimonBig Foot by Fringe-nominated makers of Should Have Said No, Blue Flicker Productions, explores the space where imagination and denial meet. Siblings Eva (Rebekah de Roo) and Charlie (Daniel Nodder), now adults, go hunting for their presumed-dead childhood friend Big Foot in the Land Beyond the Garden Shed, taking the audience on a tour of the fantasy world, their sibling relationship and their grief.
Jenny NimonWaiting for Shark Week is an hour of feminist buffoonery, sincerity and rage that charms, entertains and educates – and possibly also startles a non-menstruater or two. Directed and co-written by Dr Lori Leigh with performers Stevie Hancox-Monk, Pippa Drakeford-Croad, Maggie White and Sarah Bergbusch, this show is a powerful sketch-based comedy that calls out sexism in the theatre industry, veiled as the preservation of (male) playwrights’ visions.
Lizzie MurrayBlue Flicker Productions offers up an ethical dilemma about pain and the power of knowledge through a feminist lens. Is it better to forget your trauma? Should you tell someone the truth if all it brings is suffering? In Should Have Said No, directed by Zoe Christall, it’s up to the audience to decide.
Lilli MargaretTranshumance explores gender and what it means to exist between locations. What’s it like to take your best guess at womanhood, or at manhood? How do we get treated by society when we occupy these spaces? And how does this make us feel? This clown show slowly unpacks these concepts, uncoiling in front of the audience, showing us what it might feel like to not quite belong in one, or the other. Ania Upstill takes a train of sorts, between each experience of gender, and endeavours to follow a map of “female” and “male” at each destination. Upstills’ physical struggles to maintain these genders and their larger than life attempts to occupy them provokes both laughter and empathy.
Laura FergusonOK, I love Dungeons & Dragons. I run a game and am a player in another. I collect dice. I obsess over reddit threads discussing how to best fight beholders and I have over 70 characters created on the DnDBeyond website. So you can imagine how excited I was to see Diceratops Presents: When Dwarves Cry. The show involves Dungeons & Dragons played live on stage within the ongoing story that Diceratops has on their podcast. The Dungeon Master, Morgan Davies leads the story, creating the world and plot as the three other players interact with it. Hilarity and intrigue abound, dice are thrown, successes are cheered, failures are met with sympathetic hisses. This is definitely what I expect from DnD.
Lizzie Murray Four dancers step into the void. Light slowly creeps on to the stage. Three of the dancers are masked. Delicate music builds with the light. The masked dancers stalk our protagonist. They latch on to him like ghoulish parasites. He cannot escape.
Kate NorquayOddacity is delightful, hysterical, and ridiculous. The show is a collection of circus, cabaret, and comedy sketches, each more silly than the last. It’s one of those shows that when you try to explain, you have to preface your description with ‘it sounds stupid but…’. Oddacity is the definitive ‘you had to be there’ show, and you do not want to miss out.
Jenny NimonCockroach, written and directed by Melita Rowston and performed by Leah Donovan, sets high expectations with its full belt of accolades. The show was nominated for Best Performance in Melbourne Fringe, as well as Best Sound Design, Best Director, Best Cabaret Performer and Best Cabaret Performance in the Broadway World Awards in Sydney — quite the list. It describes itself as ‘an amoral revenge tale for the #MeToo generation’, and in its exploration of Kafka’s The Metamorphosis and Ovid’s Metamorphoses, Cockroach reclaims some of society’s better-known rape cases by rewriting the events in favour of the victims.
Annabella GamboniClaire Waldron is the sole performer (the only stupid b*tch?) in this Six Degrees Festival show, a suite of productions by Victoria University’s Master of Fine Arts – Theatre programme.
Sara HirschLike most creatives, I have a list of people I want to make a show with. Some are obvious: friends of mine from the spoken word scene, previous collaborators, talented peers. Some are farther reaching: the writer of that play I reviewed which I couldn’t find fault with, or directors I have followed for decades. But nowhere on this long and inclusive dream list have I included anyone I was ever in an actual relationship with. The closest I got was making a solo show about a particularly memorable break up. We hadn’t spoken for a year when I performed it to a room full of strangers, but even that was too close for comfort.
Comedy connoisseurs Eli Matthewson (The Male Gayz) and Brynley Stent (Funny Girls) are far braver than I. Jenny NimonPhoto credit: Katie Hill Real life newlyweds Eleanor Stankiewicz and Marcel Blanch-de Wilt invite improvisors from NZIF to join them each night for an improv-filled double date in their New Zealand debut of The Newlyweds: Double Date. For their Wellington premiere on Thursday evening, they were joined by none other than Jennifer O’Sullivan and Matt Powell.
Jenny NimonPhoto credit: Alex RabinaDunedin-based improv troupe Improsaurus take the Random Stage in the second week of New Zealand Improv Festival. Their show is a longform, character-based narrative where the story is in the hands of a coin-flipper. So improvisors, gamblers, and Westerners alike: saddle yourself up for the wild ride that is Mild West: Draw.
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Local Honest ReviewsAt Art Murmurs, our aim is to provide honest and constructive art reviews to the Wellington community. Archives
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