Spitz and Crumple is an improvised, smooth-lounge concert created and performed by Ben Jardine and Liz Butler. It’s the best improvised music I’ve ever seen, and the theatrical equivalent of a warm hug from your Aunty Jan. Strap in for a rave review!
Sean Burnett Dugdale-MartinNo Strings Attached Theatre of Disability (Australia), Theatre Today (Singapore) and Diverse Abilities Dance Collective’s (Singapore) show SAME-SAME 2.0 is an ensemble devised dance and theatre production that celebrates friendship across multiple borders. The piece is simple and radiates with the joy of its creators, constantly surprising the audience with the personalities of the performers.
Austin HarrisonGlass Town is a new offering from Knot Theatre. They’re coming in hot off the back of Bruises (Winner – Grand Design Award, NZ Fringe 2021) and a nomination for most promising emerging company at last year’s Fringe, and I am so excited to see what they will serve up, 12 months on. They say the second album is the hardest, and I’m afraid it may well be true for this production.
Kate NorquayShitspeare is a rapid-fire devised piece, cutting together words from various Shakespeare plays to reframe them from a feminist perspective. It examines gender power imbalances in modern day Aotearoa and calls for change.
Courtney Rose BrownHorny & Confused, Big Estrogen Energy’s debut show is a nuanced comedic triumph. Katie Hill and Charlotte Glucina bring wit, spice and every delight to retellings of their sexual experiences as they charm all with their upbeat Taylor Swift-esq (but woke-er) musical numbers and Hill’s stand up.
Jenny NimonWaiting for Shark Week is an hour of feminist buffoonery, sincerity and rage that charms, entertains and educates – and possibly also startles a non-menstruater or two. Directed and co-written by Dr Lori Leigh with performers Stevie Hancox-Monk, Pippa Drakeford-Croad, Maggie White and Sarah Bergbusch, this show is a powerful sketch-based comedy that calls out sexism in the theatre industry, veiled as the preservation of (male) playwrights’ visions.
Lizzie MurrayBlue Flicker Productions offers up an ethical dilemma about pain and the power of knowledge through a feminist lens. Is it better to forget your trauma? Should you tell someone the truth if all it brings is suffering? In Should Have Said No, directed by Zoe Christall, it’s up to the audience to decide.
Laura FergusonThe suburb of Mount Victoria in Wellington is home to many character houses, they sit picturesque with pillars upon porches to shelter the front door, and key fumblers, from rain. In one such home, I enter Luke Scott’s Little Theater of Big Dreams. The charming folks at the theatre company Horse With No Name have entered another thoroughbred of a show into this year’s Fringe Festival. This time we enter a world of shadow puppetry and more stories that will make you laugh, cry and some that will hug you with a feeling of warm familiarity. All of it is ecstatically, fantastically amazing.
Jenny NimonInquiet Moments, written and directed by Campbell Wright, is a physical theatre piece that explores anxiety and its impacts on relationships. Caught in a panic attack, Riley (Abby Lyons) is haunted by Wisp (Tom Hughes) and Nightmare (Emily Griffiths), the personifications of her anxiety, as she navigates memories of her relationship with Rowan (Prea Millar). It is a fast-paced and non-consecutive collection of vignettes that seems to draw its inspiration from plays like Constellations by Nick Payne, giving the audience snippets of the story to piece together as they go.
Lilli MargaretTranshumance explores gender and what it means to exist between locations. What’s it like to take your best guess at womanhood, or at manhood? How do we get treated by society when we occupy these spaces? And how does this make us feel? This clown show slowly unpacks these concepts, uncoiling in front of the audience, showing us what it might feel like to not quite belong in one, or the other. Ania Upstill takes a train of sorts, between each experience of gender, and endeavours to follow a map of “female” and “male” at each destination. Upstills’ physical struggles to maintain these genders and their larger than life attempts to occupy them provokes both laughter and empathy.
Laura FergusonOK, I love Dungeons & Dragons. I run a game and am a player in another. I collect dice. I obsess over reddit threads discussing how to best fight beholders and I have over 70 characters created on the DnDBeyond website. So you can imagine how excited I was to see Diceratops Presents: When Dwarves Cry. The show involves Dungeons & Dragons played live on stage within the ongoing story that Diceratops has on their podcast. The Dungeon Master, Morgan Davies leads the story, creating the world and plot as the three other players interact with it. Hilarity and intrigue abound, dice are thrown, successes are cheered, failures are met with sympathetic hisses. This is definitely what I expect from DnD.
Lizzie Murray Four dancers step into the void. Light slowly creeps on to the stage. Three of the dancers are masked. Delicate music builds with the light. The masked dancers stalk our protagonist. They latch on to him like ghoulish parasites. He cannot escape.
Kate NorquayOddacity is delightful, hysterical, and ridiculous. The show is a collection of circus, cabaret, and comedy sketches, each more silly than the last. It’s one of those shows that when you try to explain, you have to preface your description with ‘it sounds stupid but…’. Oddacity is the definitive ‘you had to be there’ show, and you do not want to miss out.
Ellen Morgan ButlerIf I could describe What’s the Purpose of this Project? (created by Potentially Playing Productions’s Evangelina Telfar and Marcus Jackson) in one word, I would describe it as lovely. Or cerebral. Or dreamy. But this project requires much more than just one word.
Lizzie MurrayShe has the wardrobe of Mrs Doubtfire, a heart of gold and the frightening energy of Suzanne Paul. She is Pamela Hancock, proudly brought to you from the vibrant city of Bulls.
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Local Honest ReviewsAt Art Murmurs, our aim is to provide honest and constructive art reviews to the Wellington community. Archives
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