Sean Burnett Dugdale-Martin
It occurred to me some time in 2021 that something about making a new show every year for Fringe, and a new company to go with each one, wasn't quite right. It didn’t feel like the most responsible use of time and effort to just leave a project behind with no larger plan for it within a few months. Surely the art you put your blood, sweat and tears into making can have a life longer than one season? Surely not everyone in Wellington would have seen the show and there are more audiences to share the work with, more tickets to be sold? If the art I was a part of creating was as good as I thought it was, and had the audience reaction it did, wouldn’t it make sense to keep going?