Corey Spence
Blithe Spirit is Noël Coward’s ‘improbable farce’ - a comedy with enough absurdity to keep you giggling and have you laughing for all the right reasons. And this production, directed by Colin McColl, hits all the right beats.
Corey SpenceThere’s an otherworldly buzz to Circa Theatre tonight as the crowd settles into Blithe Spirit, into the home of Charles Condomine (Phil Peleton), a novelist looking for his next hit. To fuel his novel, he and his husband Rudi (Simon Leary) invite the local psychic—whom most of the town is skeptical of—Madame Arcati (Ginette McDonald) to perform a séance in their home. The couple invites Dr and Mrs Bradman (Peter Hambleton and Hera Dunleavy, who also doubles as Edith the maid) around, as the four are looking forward to seeing the ‘hocus pocus’ of the so-called psychic… However, Charles can’t shake the thought of his ex-wife, Elvira (Laura Hill), as the séance begins. What could possibly go wrong when the spirit of your late first wife accidentally manifests and moves back in to torment your current partner?
Blithe Spirit is Noël Coward’s ‘improbable farce’ - a comedy with enough absurdity to keep you giggling and have you laughing for all the right reasons. And this production, directed by Colin McColl, hits all the right beats. Jack McGee Izzie Newton-Cross’s Running Wet Through a Tunnel is nothing short of manic. A show about sperm making their way to the egg; it’s bananas, an hour of complete where-is-this-going-next madness. It bounces around genre, playing with elements of musical theatre, cabaret, and drag. It barrels forward, relentless, without waiting for the audience, or much in the way of polish, to catch up.
Jack McGee The Night Has a Thousand Eyes is an odd duck in the NZ Fringe line up. It’s unusual to have a show at the “birthplace of brilliance” that’s come via the Dunedin Arts Festival. Still, whatever led Lucy Markinvoch and the team at Borderline Arts Ensemble to bring their work to Fringe instead of Circa (home of two of their previous works Lobsters, and Strasbourg 1518), I am not complaining. NZ Fringe is far from a small pond, but Thousand Eyes is a staggeringly massive fish.
Nicola Brown’s Space Invaders is a stand-up show with a message. It seeks to educate the audience, as well as make them laugh. Similar to Hannah Gadsby’s (deservingly) lauded Nanette, it buries the lead. I have no idea going in that I’m going to learn a lot about Pelvic Organ Prolapse. Brown knows exactly what she’s doing, and it’s a joy to be along for the ride.
Sophie KettleyWalking into Te Pou, you instantly feel a sense of familiarity. Classic songs that everyone knows are playing in the background creating a warm and welcoming atmosphere. At the same time, the audience is greeted with a projection of both the Te Reo Māori and the Te Reo Pākehā versions of Te Tiriti o Waitangi.
Laura Olivia TremaineA good enough MC will make you feel like you are part of a group of friends, a great MC will convince you to follow them out of the venue and onto the streets. This was the vibe we reached on the opening night of SMASHED- The Nightcap at the gorgeous new Spiegeltent in Aotea Square.
Sean Burnett Dugdale-MartinAccordion Ryan is a cabaret artist and musical comedian originally from the US but based in Vienna, Austria. After a hit run at the Edinburgh Fringe festival he has come all the way down to the base of the globe to amaze the Wellington audiences at the bottom of Cuba Street in our favourite little gay dive bar, Ivy.
Guy van EgmondIn a well-kitted out community hall down in far-off Newtown, there was a most lovely and supportive evening when the Rocking Rainbows performed. Not just a band, as their Facebook page states, The Rainbows are a movement that showcases talent and capability against odds and scepticism. Supported by music therapist Sophie Sabri, the band put together a really joyful gig and created a wonderful shared space to perform their music.
Austin HarrisonWOW, You’ve Changed is a double-bill stand-up comedy show by two of Wellington’s newer but most active comedians, Katy Burrows and Indie Vine. The concept is utterly charming. Two people don’t see each other for 10 years, and become friends. In the intervening decade one survived drug addiction and the other came out and transitioned. The show celebrates their journeys apart as they find themselves back together...making comedy.
Austin HarrisonChris Sainton-Clark returns to Aotearoa for another bite at the NZ Fringe cherry. After reviewing his folk tale A Year and a Day last year I was all too eager to see this excellent performer in Pōneke once again- this time with a musical comedy show perfectly placed at the Welsh Dragon Pub.
Julia Bon-McDonaldThis review contains spoilers for The Kids Might Die – A Tale Told by An Idiot.
I hate superstitions. I don’t step on cracks. I don’t go under ladders. I once went through a phase of needing to identify wood in any given room, just in case I had to ‘knock on wood’. So, when Jill (played by Jill Young) dares to utter the word ‘Macbeth’ under the roof of Tapere Iti, a chill runs down my spine - I hate that it does Campbell WrightGinge and Minge (Nina Hogg and Megan Connolly) are back at it again, this time indoctrinating me into a cult.
House of Ick (directed by Mo Munn) is the comedy duo’s latest sketch show, and in my opinion, their best. Ginge and Minge are experienced performers, and it shows throughout House of Ick. Whether the pair are performing a “C**twheel” or trying to sell you a waterbed, they know how to play the audience and each other. Campbell WrightDespite describing itself as a “half-baked odyssey”, Aphrodi-tim is a solid comedy show that expertly explores self improvement and identity.
Tim (performed by Tim Fraser) is desperate for a boyfriend. So desperate, in fact, that he takes the most logical course of action and attempts to summon aphrodite to assist him.. Unfortunately for our protagonist, she is too busy to pick up, thus setting the stage for Tim’s journey to find a boyfriend for himself. Guy van EgmondI have to open this review with a confession: I am a massive fan of aerial performance, and specifically Nicole Maisey’s work. Was I the wrong person to review this? Maybe. But I’ll do my utmost best to remain unbiased…
Nicole Maisey is one of the most talented performers in Te Whanganui-a-Tara. She is transcendent, with such grace and strength that one almost forgets they’re watching a human performance. Jack McGee Before I say anything about Sing me the Sweetest Songs, I have to get something out of the way. This show has the best programme (Samson Dell) of any show I’ve ever seen. I wholeheartedly believe it necessitates the creation of a Fringe Award for Best Programme.
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