Art Murmurs - Reviews

Naturally Curious

22/11/2023

Isaac Andrews

Left to right: Cassidy Kemp-Woofenden, Waitahi Aniwaniwa McGee, Mog Connolly, and Q Walker performing in Naturally Curious. Photo by Alex Rabina.

Never have I witnessed such a powerfully interconnected queer ensemble in Potentially Playing’s production of Naturally Curious. There’s no doubt they have the audience laughing, pondering and then squealing with delight, every step of the way. So, is there such a thing as a right or wrong relationship? Are we to be ashamed of our intimate thoughts? Or are we able to discover the truths within simply existing as Naturally Curious beings?

Night of the Silver Moon - Episode 4, 5, and 6

27/10/2023

Emilie Hope

Surprise! Yes, I bet you thought there weren’t going to be anymore of these reviews but after a medium length hiatus, I’m back. This time I’ll be reviewing episodes four, five, and six, the final episode, in their podcast format on Spotify as I have not been able to attend the final three live shows. From listening, the energy the performers give (shout out to Anna Barker) seriously comes through in the audio and makes me miss the live show feeling. Night of the Silver Moon is, for the most part, directed by Ben Kelly and written by John Mambo, Esteban Jaramillo, Finlay Langelaan, and Tom Aitcheson, a serialised, live performance and recording of a goofy spoofy radio drama.

The Importance of Being Earnest

9/10/2023

Emilie Hope

Dawn Cheong stars as Cecily | Photo by Lewis Ferris

One should always trust a Jonathan Price show. You will have a wonderful time. Guaranteed. The Importance of Being Earnest by Oscar Wilde (a.k.a. the 19th century Shakespeare but funnier), under the brilliant directorship of Price has never made me want high tea more. This fantastic, lively, entertaining show for all ages is an absolute delight, bringing Wilde’s excellent text to life with Price’s physical direction and a talented cast and crew.

Mr Fungus Dreams

3/10/2023

Brie Keatley

It’s school holidays once again, you know what that means? Another high quality children’s show at Circa Theatre, of course! I am delighted to see Mr Fungus Dreams (directed by Amalia Calder and Thom Monckton) on a blustery Saturday morning. The packed audience of Circa Two is mainly made up of those of the kindy-going age, none the less we are all entranced and entertained by the impressive performance of Fergus Aitken as the titular Mr Fungus.

Ātete | Resistance | ചെറുത്തുനില്പ്

16/9/2023

Sean Burnett Dugdale-Martin

Ātete | Resistance | ചെറുത്തുനില്പ് is a solo dance theatre piece choreographed by Swaroopa Prameela Unni exploring a woman’s right to bodily autonomy within the Indian community of New Zealand. The piece is choreographed in Mohiniyattam, a South Indian Dance form, known for its portrayal of ideal womanhood. Ātete uses spoken words, movements and digital media to narrate the stories of women who resisted against the system. ചെറുത്തുനില്പ് (cheruthunilpu) means resistance in Malayalam, the language spoken mainly in the southern Indian state of Kerala.

We've Got So Much To Talk About

16/9/2023

Jack McGee

The instinct when trying to write about We’ve Got So Much To Talk About is to list things. List superlatives: exceptional, transcendent, theatre of the highest calibre. List things that the show is about: motherhood, identity, purpose, submission, autonomy. List things that it made me feel: thrilled, sad, moved, inspired, appreciative, reflective. But the problem is that listing things only scratches the surface. It gives you a little insight into the scale of the piece, its content, and overall effect, but not how it achieves any of this. And the how here is the extraordinary thing. The execution of We’ve Got So Much To Talk About is where the magic trick lies and like any good magic trick, it’s a mission to reverse engineer.

A Tart on Tour

16/9/2023

Jack McGee

Andrea Kelland is a pro. She’s performed in every possible medium, in every possible context, in most possible places, over the past forty years. She’s travelled the world and done children's theatre, mime, street theatre, Shakespeare, feminist theatre, queer theatre, television, films, and commercials. She has lived a capital L Life, and the promise of the show is that we’ll get a glimpse into that. We’ll get to hear some of the best stories, put together a picture of who Kelland is, and discover what a life spent as an actor looks like.

HATCH - 2023

16/9/2023

Jack McGee

HATCH is a fantastic initiative. Originating in 2019, along with the rest of the TAHI festival, this polylogue-based-showcase of emerging talent has a spectacular track record. With artists from previous years including Viki Moananu (ADAM Award for Best Pasifika Play 2023), Teherenui Koteka (BATS Pasifika Producer Residency), and Jeremy Hunt (Ted Talks Crimes), it’s clear that producer Sally Richards and her facilitators (previously Olivia Flanagan, now Emma Katene) have a great eye for new voices. Pulling three students from Te Auaha, two from Toi Whakaari, and one from Te Herenga Waka, HATCH feels like a city wide who's who of new talent.

MAMMA MIA!

12/9/2023

Austin Harrison

The ABBA-inspired jukebox musical Mamma Mia! needs no introduction, but provides a worthy and joyous platform to introduce Whitireia’s Musical Theatre students to Wellington audiences. This is the programme’s full-scale production for the year, and with the support of program staff and industry pros, these emerging performers knock it out of the freaking park and gift me a contender for the most fun I’ve had at a show this year!

Verbatim

11/9/2023

Jack McGee

This time last year, A Mulled Whine brought Gary Henderson’s Skin Tight back to Circa. It remained provocative, moving, and thrilling. It felt fresh. Soon afterwards, Jacob Rajan and Indian Ink took Krishnan’s Dairy to Soundings, and again, it sung. The heartbreaking and shocking final minutes of the play couldn’t have felt more relevant to the moment. Over two decades after their conception, Aotearoa’s now-classic plays of the 90s prove that despite how much we’ve changed as a nation, there’s some dark truths that remain the same. Unfortunately, this could not be more true of Tahi’s revival of Verbatim, which feels like it was conceived yesterday as a response to our impending election.

I Want To Be Happy

11/9/2023

Sean Burnett Dugdale-Martin

Humour and pathos collide in this blackly funny odyssey from trailblazing theatre creators Nightsong (Mr Red Light, Te Pō, The Worm), starring theatre greats Jennifer Ludlam and Joel Tobeck.

FLAMES

10/9/2023

Sean Burnett Dugdale-Martin

Performed as part of Kia Mau Festival 2023, ‘Flames’ is an innovative fusion of theatre, musical theatre and hip-hop music presented through a detective drama with Aotearoa flavour. Kia Mau Live Performance Season is a high calibre digital theatre experience showcasing some of the best mana whenua, tangata whenua and tangata moana artists.

ONO

9/9/2023

Alia Marshall

The TAHI Festival opened with a bang on Tuesday with the premiere of ONO. ONO is a new work commissioned for TAHI that’s made up of 6 monologues by māori and pacifka playwrights that celebrate aroha/alofa, or love. These authors began workshopping these pieces way back in December, and I’m lucky enough to have a quick kōrero with one of the co-directors before the show to catch a glimpse into the process that went into this. Knowing how a piece came to be is always so exciting for me, knowing how the sausage is made makes it all the more tasty. This collection of monologues not only celebrates aroha as a whole, but the aroha of collaboration, listening, and sharing stories.

The Boy Who Caused 9/11

25/8/2023

Sean Burnett Dugdale-Martin

The Boy Who Caused 9/11, written by NZ-Japanese playwright Ken Mizusawa and directed by Cassandra Tse. Performed by the Year 2 Stage & Screen Te Auaha students with crew support from the Year 1s, is about an 11-year old boy from a small town who believes he has uncovered the secrets of the universe. It’s a cute and lovely show, despite its suggestive title, and watching young and upcoming performing arts students in their element is just as heart-warming.

Birthday Book of Storms

4/8/2023

Sean Burnett Dugdale-Martin

Birthday Book of Storms by Theatre of Storms Collective is directed by Jaime G. Dörner, written and assistant directed by R. Johns and production design is by Peter Mumford. The performance is a work of fiction about Sylvia Plath, Ted Hughes, Assia Wevill and Shura that is not a biography. It is magical realism and describes its setting as a “magic, surrealist temporality”. This alternative style finds inspiration in poetry, just like its character did, but at points becomes difficult to follow.