Part storytelling, part stand-up, Dancing on my Own is a jovial jive through the trials and tribulations of growing up queer and with ADD while being born for the stage. Maddy Warren, a master of physical comedy, comes into her own with the awkward punch line. Unfortunately, a lack of preparation lets her down and a sixty-minute show feels like a drawn out half hour.
Written and performed by Damien Warren-Smith, and directed and cowritten by Cal McCrystal, Garry Starr Performs Everything is riot of a show that will delight theatre-makers and casual audience members alike. Having won awards in the Adelaide, Brighton, and Manchester 2018 Fringe Festivals, and having been nominated for both Best Newcomer and the Golden Gibbo Award in the Melbourne International Comedy Festival 2018, I was intrigued to say the least. Let me break down this must-see of Wellington Fringe Festival 2019.
Waste Not Want Not: Bethany’s Guide to the Thrift Life, Bethany Grace Miller’s debut solo show, is a piece of comedy that thrives off a thrifty Wellington audience. It is witty, imaginative, and strangely close to home.
Blonde Mountain Wolf Man, a piece of solo physical theatre by Craig Geenty, is an exploration of family history with strong emphasis on name, place, and identity. In an hour, the audience is taken on a journey that is both lighthearted and oddly intimate.
Once There was a Woman is a poignant plunge into grief that hurtles between airborne imaginative sequences and the stark reality of losing a loved one. This slickly performed solo show from writer/performer Beth Kayes, chronicles the loss of her mother, from the shock of diagnosis to the agony of the final goodbye. Whilst some of the choices don’t quite reach their peak, Kayes is a masterful storyteller who brings warmth, humour and delicacy to this all too familiar experience.
Local Honest Reviews
At Art Murmurs, our aim is to provide honest and constructive art reviews to the Wellington community.