Guy van Egmond When it comes to polished period theatre, Stagecraft takes the cake in Pōneke. ‘Stagecraft Theatre presents’ has become shorthand for well-produced and relevant classic productions, as evidenced by a packed opening-night for their current show, The Heiress. A well-chosen and -directed script, The Heiress proves to be another feather in the company’s cap.
Guy van Egmond  Photo credit: Josh Hopton-Stewart A good theatre adaptation is one that retains the core of the original piece; one that culminates in the same emotional revelation, leaving an audience feeling altered and not wanting. Director Josh Hopton-Stewart hit it bang-on with Stagecraft’s production of The Seagull, by Anton Chekov.
Jenny Nimon The first show in Stagecraft’s 2023 season, Breadcrumbs directed by Emily K Brown, sets a high casting bar for the year to come. This one-act play is a keen exploration of Alzheimer’s and of character, and is one of the only works I have seen that has put the character at the forefront rather than the disease.
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