Annabella Gamboni
Spoiler: Will and Brendan Are Cancelled was in fact, not cancelled. The title of the show is just the first snafu of many in this messy, but somehow endearing sketch comedy show.
Lizzie Murray Blue Flicker Productions offers up an ethical dilemma about pain and the power of knowledge through a feminist lens. Is it better to forget your trauma? Should you tell someone the truth if all it brings is suffering? In Should Have Said No, directed by Zoe Christall, it’s up to the audience to decide.
Laura Ferguson The suburb of Mount Victoria in Wellington is home to many character houses, they sit picturesque with pillars upon porches to shelter the front door, and key fumblers, from rain. In one such home, I enter Luke Scott’s Little Theater of Big Dreams. The charming folks at the theatre company Horse With No Name have entered another thoroughbred of a show into this year’s Fringe Festival. This time we enter a world of shadow puppetry and more stories that will make you laugh, cry and some that will hug you with a feeling of warm familiarity. All of it is ecstatically, fantastically amazing.
Annabella Gamboni Wellington actor and theatremaker Jean Sergent may have her sun in Aries and moon in Libra, but damn, she must have some kind of special relationship with Pluto.
Her new solo show Change Your Own Life is a warmly presented and sharply observed take on life after death – not for those in heaven, but for those on Earth still writhing in the hellish pain of loss. Jenny Nimon Inquiet Moments, written and directed by Campbell Wright, is a physical theatre piece that explores anxiety and its impacts on relationships. Caught in a panic attack, Riley (Abby Lyons) is haunted by Wisp (Tom Hughes) and Nightmare (Emily Griffiths), the personifications of her anxiety, as she navigates memories of her relationship with Rowan (Prea Millar). It is a fast-paced and non-consecutive collection of vignettes that seems to draw its inspiration from plays like Constellations by Nick Payne, giving the audience snippets of the story to piece together as they go.
Sara Hirsch Feminah is a funny, feirce and furiously feminist ‘f*** you’ to the power structures that be. Creator and performer Charlotte Otton is so watchable that even during curated moments of deep discomfort, I cannot keep my eyes off her. The patriarchy is ‘going down on us but not in a good way’ and Otton is here to save us from shit sex and even shitter sexism. The show promises an ‘explosion of gritty femininity’. While it delivers vulgarity in bucket loads, for this reviewer who is all too familiar with feminist theory, it takes off admirably but never quite lands on anything we haven’t heard before.
Lilli Margaret Transhumance explores gender and what it means to exist between locations. What’s it like to take your best guess at womanhood, or at manhood? How do we get treated by society when we occupy these spaces? And how does this make us feel? This clown show slowly unpacks these concepts, uncoiling in front of the audience, showing us what it might feel like to not quite belong in one, or the other. Ania Upstill takes a train of sorts, between each experience of gender, and endeavours to follow a map of “female” and “male” at each destination. Upstills’ physical struggles to maintain these genders and their larger than life attempts to occupy them provokes both laughter and empathy.
Laura FergusonOK, I love Dungeons & Dragons. I run a game and am a player in another. I collect dice. I obsess over reddit threads discussing how to best fight beholders and I have over 70 characters created on the DnDBeyond website. So you can imagine how excited I was to see Diceratops Presents: When Dwarves Cry. The show involves Dungeons & Dragons played live on stage within the ongoing story that Diceratops has on their podcast. The Dungeon Master, Morgan Davies leads the story, creating the world and plot as the three other players interact with it. Hilarity and intrigue abound, dice are thrown, successes are cheered, failures are met with sympathetic hisses. This is definitely what I expect from DnD.
Lizzie Murray  Four dancers step into the void. Light slowly creeps on to the stage. Three of the dancers are masked. Delicate music builds with the light. The masked dancers stalk our protagonist. They latch on to him like ghoulish parasites. He cannot escape.
Kate Norquay Oddacity is delightful, hysterical, and ridiculous. The show is a collection of circus, cabaret, and comedy sketches, each more silly than the last. It’s one of those shows that when you try to explain, you have to preface your description with ‘it sounds stupid but…’. Oddacity is the definitive ‘you had to be there’ show, and you do not want to miss out.
Corey Spence #UsTwo is a poetic journey through sisterhood, feminism, and the expectations imposed on women told reflectively from the lives of theatrical and political powerhouses, Sarah and Catherine Delahunty. In combination, they create a show that is both theatrical and political, and one that certainly is a powerhouse in its own right. They are joined by Ari Leason on stage, who helps to punctuate the performance, observing the memories along with us but often joining the space to bring everyone to a new game, event, or part of their lives. #UsTwo dedicates its performance on opening night to Jeanette Fitzsimmons, former co-leader of the Green Party. Honestly, I think their ode to begin performance sets the tone perfectly for what we are about to experience.
Annabella Gamboni A mixed bag of comedy, poetry, and drag? Ah, it’s a Fringe institution.
Austin Harrison Esoteric is a touring show from Melbourne brought to NZ Fringe by Sneakyville Theatre Company. They take over Circus Bar for a verbatim piece exploring the ideals of real-life conspiracy theorists.
Ellen Morgan Butler If I could describe What’s the Purpose of this Project? (created by Potentially Playing Productions’s Evangelina Telfar and Marcus Jackson) in one word, I would describe it as lovely. Or cerebral. Or dreamy. But this project requires much more than just one word.
Lizzie Murray She has the wardrobe of Mrs Doubtfire, a heart of gold and the frightening energy of Suzanne Paul. She is Pamela Hancock, proudly brought to you from the vibrant city of Bulls.
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