Sean Burnett Dugdale-Martin
There are many reasons why this show is great. I love it. These reviews are tough, in a way, because I really have nothing constructive to say, which is generally my reason for reviewing. Ah welp! Neal’s set, lighting by Isadora Lao, and sound design elements by Patrick Barnes Sound design (both opperated by Xanthe Curtain) are expertly crafted. Both the lighting and sound are used minimally throughout the performance until the end of each act, adding to the world and not distracting from it, giving it real impact when they really kick in. The characters truly inhabit the world they were in, and props must be given to the performers working in such a populated space and not having it ever feel in-the-way or disjointed.